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Wallpaper is a material utilized in interior decoration in order to decorate the inside walls of domestic and public structures. It is often sold within rolls and is applied onto a wall using wallpaper paste. Wallpapers may come plain as "lining paper" (so that it can be painted or used to help cover unequal surfaces and minor walls defects thus giving a better surface), textured (such because Anaglypta), with a normal repeating pattern design, or even, much less commonly today, along with a single non-repeating large design carried over a set of sheets. The tiniest rectangle that can end up being tiled to form the entire pattern is known because the pattern repeat.

Wallpaper printing techniques include surface printing, gravure printing, silk screen-printing, rotary printing, and digital printing. Wallpaper is usually made in long rolls which are hung vertically on a wall. Patterned wallpapers are designed in order that the pattern "repeats", and therefore pieces cut from the particular same roll can end up being hung next to one another to be able to continue the design without it being easy to see where the join between two pieces takes place. In the case of large complex designs of images this is usually normally achieved by starting the second piece halfway in to the length of the particular repeat, in order that if the particular pattern going down the roll repeats after 24 inches, the next item sideways is cut through the roll to start 12 inches down the particular pattern from the 1st. The number of periods the pattern repeats horizontally across a roll does not matter for this particular purpose.[1] A single pattern could be released in several different colorways.

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The primary historical techniques are: hand-painting, woodblock printing (overall the most common), stencilling, and a number of00 machine-printing. The first three all date back in order to before 1700.[2]

Wallpaper, using the printmaking technique of woodcut, gained popularity in Renaissance Europe between the emerging gentry. The social elite continued to hang large tapestries on the walls of their houses, as they had in the Middle Ages. These tapestries added color to the room as well as providing an insulating layer between the rock walls and the room, thus retaining heat within the room. However , tapestries were extremely expensive plus so only the very rich could afford all of them. Less well-off members associated with the elite, unable to buy tapestries due either to prices or wars avoiding international trade, flipped to wallpaper to brighten up their rooms.

Early wallpaper featured scenes similar to those depicted on tapestries, and large sheets associated with the paper were occasionally hung loosely on the walls, in the style of tapestries, and sometimes pasted as today. Prints were very often pasted to walls, as opposed to being presented and hung, and the greatest sizes of designs, which arrived several sheets, were probably mainly designed to be pasted in order to walls. Some important performers made such pieces : notably Albrecht Dürer, who worked on both big picture prints and also ornament prints - designed for wall-hanging. The most significant picture print was The Triumphal Arch commissioned simply by the Holy Roman Chief Maximilian I and completed in 1515. This measured the colossal 3. 57 by 2. 95 metres, made up of 192 sheets, and was printed in a very first edition of 700 copies, meant to be hung within palaces and, in specific, town halls, after hand-coloring.

Very few samples of the earliest repeating pattern wall papers survive, but there are usually a sizable number of old master prints, often within engraving of repeating or even repeatable decorative patterns. These are called ornament images and were intended as models for wallpaper manufacturers, among other uses.

England and France were leaders in European wallpaper production. Among the earliest known samples is one discovered on a wall from England and it is printed upon the back of a London proclamation of 1509. This became very popular in the uk following Henry VIII's excommunication from the Catholic Church - English aristocrats experienced always imported tapestries through Flanders and Arras, but Henry VIII's split along with the Catholic Church got resulted in a fall in trade with European countries. Without any tapestry manufacturers in britain, English gentry and aristocracy alike turned in order to wallpaper.

Throughout the Protectorate below Oliver Cromwell, the manufacture of wallpaper, seen as a frivolous item with the Puritan government, was halted. Following the Restoration of Charles II, wealthy men and women across England commenced demanding wallpaper again - Cromwell's Puritan regime had enforced a repressive and limited culture on the population, and following his loss of life, wealthy individuals started buying comfortable domestic items which usually had been banned underneath the Puritan state.

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In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-eighteenth century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to selling on the middle-class British market. However this trade was seriously disrupted in 1755 by the Seven Years' War and later the Napoleonic Wars, and by a heavy level of duty on imports to France.

In 1748 the British Ambassador to Paris decorated his salon with blue flock wallpaper, which then became very fashionable there. In the 1760s the French manufacturer Jean-Baptiste Réveillon hired designers working in silk and tapestry to produce some of the most subtle and luxurious wallpaper ever made. His sky blue wallpaper with fleurs-de-lys was used in 1783 on the first balloons by the Montgolfier brothers.^[2] The landscape painter Jean-Baptiste Pillement discovered in 1763 a method to use fast colours.

Hand-blocked wallpapers like these use hand-carved blocks and by the 18th century designs include panoramic views of antique architecture, exotic landscapes and pastoral subjects, as well as repeating patterns of stylized flowers, people and animals.

In 1785 Christophe-Philippe Oberkampf had invented the first machine for printing coloured tints on sheets of wallpaper. In 1799 Louis-Nicolas Robert patented a machine to produce continuous lengths of paper, the forerunner of the Fourdrinier machine. This ability to produce continuous lengths of wallpaper now offered the prospect of novel designs and nice tints being widely displayed in drawing rooms across Europe.^[3]

Wallpaper manufacturers active in England in the 18th century included John Baptist Jackson^[2] and John Sherringham.^[4] Among the firms established in 18th-century America: J. F. Bumstead & Co. (Boston), William Poyntell (Philadelphia), John Rugar (New York).^[2]

High-quality wallpaper made in China became available from the later part of the 17th century; this was entirely handpainted and very expensive. It can still be seen in rooms in palaces and grand houses including Nymphenburg Palace, Łazienki Palace, Chatsworth House, Temple Newsam, Broughton Castle, Lissan House, and Erddig. It was made up to 1.2 metres wide. English, French and German manufacturers imitated it, usually beginning with a printed outline which was coloured in by hand, a technique sometimes also used in later Chinese papers.

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