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Wallpaper is a material used in interior decoration to decorate the inside walls of domestic and public buildings. It is often sold in rolls and is applied onto a wall using wallpaper paste. Wallpapers may come plain as "lining paper" (so that it may be painted or used to help cover uneven surfaces and minor walls defects thus giving a much better surface), textured (such since Anaglypta), with a regular repeating pattern design, or, a lot less commonly today, with a single non-repeating huge design carried over the set of sheets. The tiniest rectangle that can end up being tiled to form the entire pattern is known as the pattern repeat.

Wallpaper printing techniques include surface area printing, gravure printing, silk screen-printing, rotary printing, and digital printing. Wallpaper will be made in long progresses which are hung vertically on a wall. Patterned wallpapers are designed in order that the pattern "repeats", and therefore pieces cut from the same roll can become hung next to the other person so as to continue the pattern without it being easy to see where the sign up for between two pieces takes place. Regarding large complex styles of images this will be normally attained by starting the particular second piece halfway directly into the length of the repeat, so that if the pattern going down the roll repeats after 24 inches, the next item sideways is cut from the roll to commence 12 inches down the particular pattern from the first. The number of periods the pattern repeats horizontally across a roll will not matter for this particular purpose.[1] A single pattern could be released in several different colorways.

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The primary historical techniques are: hand-painting, woodblock printing (overall probably the most common), stencilling, and various types of machine-printing. The first three all date back to before 1700.[2]

Wallpaper, using the printmaking technique of woodcut, gained recognition in Renaissance Europe amidst the emerging gentry. The particular social elite continued to hang large tapestries on the walls of their homes, as they had in the Middle Ages. These types of tapestries added color to the room as nicely as providing an insulation layer between the stone walls and the room, thus retaining heat within the room. Nevertheless , tapestries were extremely expensive plus so only the very rich could afford them. Less well-off members of the elite, unable to buy tapestries due possibly to prices or wars stopping international trade, turned to wallpaper to lighten up their rooms.

Early wallpaper featured scenes similar in order to those depicted on tapestries, and large sheets of the paper were sometimes hung loosely on the walls, in the style of tapestries, and sometimes pasted as today. Prints were very often pasted in order to walls, rather than being framed and hung, and the biggest sizes of designs, which arrived several linens, were probably mainly meant to be pasted in order to walls. Some important artists made such pieces - notably Albrecht Dürer, who worked on both large picture prints and also ornament prints - intended for wall-hanging. The biggest picture print was The Triumphal Arch commissioned simply by the Holy Roman Chief Maximilian I and designed in 1515. This measured a colossal 3. 57 simply by 2. 95 metres, composed of 192 sheets, and had been printed in a very first edition of 700 copies, meant to be hung in palaces and, in particular, town halls, after hand-coloring.

Very few samples of the particular earliest repeating pattern wallpapers survive, but there are usually a large number of old master prints, often within engraving of repeating or even repeatable decorative patterns. These are called ornament designs and were intended as models for wallpaper makers, among other uses.

England and France were market leaders in European wallpaper manufacturing. Among the earliest identified samples is one found on a wall from England and it is printed upon the back of the Greater london proclamation of 1509. It became very popular in England following Henry VIII's excommunication from the Catholic Chapel - English aristocrats experienced always imported tapestries through Flanders and Arras, yet Henry VIII's split along with the Catholic Church experienced resulted in a fall in trade with European countries. Without any tapestry producers in the uk, English gentry plus aristocracy alike turned to wallpaper.

Throughout the Protectorate below Oliver Cromwell, the produce of wallpaper, seen since a frivolous item from the Puritan government, was halted. Following the Restoration of Charles II, wealthy folks across England began demanding wallpaper again - Cromwell's Puritan regime had enforced a repressive and restrictive culture on the population, and following his loss of life, wealthy people started purchasing comfortable domestic items which usually had been banned beneath the Puritan state.

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In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-eighteenth century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to selling on the middle-class British market. However this trade was seriously disrupted in 1755 by the Seven Years' War and later the Napoleonic Wars, and by a heavy level of duty on imports to France.

In 1748 the British Ambassador to Paris decorated his salon with blue flock wallpaper, which then became very fashionable there. In the 1760s the French manufacturer Jean-Baptiste Réveillon hired designers working in silk and tapestry to produce some of the most subtle and luxurious wallpaper ever made. His sky blue wallpaper with fleurs-de-lys was used in 1783 on the first balloons by the Montgolfier brothers.^[2] The landscape painter Jean-Baptiste Pillement discovered in 1763 a method to use fast colours.

Hand-blocked wallpapers like these use hand-carved blocks and by the 18th century designs include panoramic views of antique architecture, exotic landscapes and pastoral subjects, as well as repeating patterns of stylized flowers, people and animals.

In 1785 Christophe-Philippe Oberkampf had invented the first machine for printing coloured tints on sheets of wallpaper. In 1799 Louis-Nicolas Robert patented a machine to produce continuous lengths of paper, the forerunner of the Fourdrinier machine. This ability to produce continuous lengths of wallpaper now offered the prospect of novel designs and nice tints being widely displayed in drawing rooms across Europe.^[3]

Wallpaper manufacturers active in England in the 18th century included John Baptist Jackson^[2] and John Sherringham.^[4] Among the firms established in 18th-century America: J. F. Bumstead & Co. (Boston), William Poyntell (Philadelphia), John Rugar (New York).^[2]

High-quality wallpaper made in China became available from the later part of the 17th century; this was entirely handpainted and very expensive. It can still be seen in rooms in palaces and grand houses including Nymphenburg Palace, Łazienki Palace, Chatsworth House, Temple Newsam, Broughton Castle, Lissan House, and Erddig. It was made up to 1.2 metres wide. English, French and German manufacturers imitated it, usually beginning with a printed outline which was coloured in by hand, a technique sometimes also used in later Chinese papers.

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